After dining on the obligatory American/ Italian Pizza Experience at Grimaldi”s, I went to this on a dark, wet night in Dumbo, Brooklyn, under the bridge and was impressed by what I saw.
A lot of the gallery spaces were shiny, commercial enterprises with expensive art hung on the walls. One had a Shepard Fairey, of street art fame, piece that had already been sold, but giving no indication to its price. I also visited artists studios, including the Triangle Residency, who provide a fantastic program to engage in artistic practice in Brooklyn, for international artists. Whilst many of the galleries were all about selling the work, some were artist run and owned, as they were literally just selling their pieces from their workshops or studios. It gave a valuable insight into the working artists life, in the crowded New York Art Scene, and was inspiring and informative to talk to the actual artist, and not to just to view the end product, in a commercial gallery space.
I went to @ open studio last night at Popps Packing, Detroit. I met artist in residence, German photographer, Franziska Klose.
She is based in Leipzig, a German city, home to a thriving creative community.
Her work looks at how vegetation is growing in abandoned, damaged houses. This shot has chicory growing, an agricultural business my grandparents, Bess and Cuthbert Kiernan, pursued on French Island, circa 1917.
Today our Victoria University Artspace class, visited Paul Borg‘s studio. Based at home, in St Albans, he runs a workshop and studio out of his converted garage. The yard and surrounds are a plethora of found objects, recycled items and gathered paraphernalia. I got lost several times enroute, the VW’s nose not used to being pointed in a westerly direction.
Inside the studio boasts a cornucopia of work. Vast, skilfully executed oil paintings of his, and surrounding backyards, local landscapes, religious icons, and unique portraiture. An exemplary brushman, he taught at VU Flinders Campus for many years, and showed us a series of drawings he completed on his daily train commute. Application to his craft, long working hours, self discipline, and inspiration from unlikely sources, are all building blocks of his creative practice.
An informative Q&A session rounded off the interview, and we left his studio feeling privileged to be granted an expose to his work, specifically the family portraiture, which comprises a large part of his creative practice.